Video Information:Percussion concerto for Marimba, micro-tonal pipes, and percussion While not a strictly programmatic piece, Sometimes, sound inspired meaning, and sometimes the meaning inspired the sound. I find each to be viable while composing. Ο Άγγελος (Oh Ahn-ge-los). Sometimes, sound inspired meaning, and sometimes the meaning inspired the sound. I find each to be viable while composing. This is in general, a musical representation of a guardian angel and his dutiful protection over a man. The first movement, Wings, starts with an unfurling of wings and progresses into full flight and activity. In the second movement, Pagan/Anesti, there is struggle and falling into the pagan dance that is both brutal and confused. This chasm is also further enforced by the open key and its tonality. It is only after the exhaustive pagan festival, that there is a call to the resurrection. The third movement Light, is a resurrected man on his return home. Other points worth noting: -Not only is the title Greek, but in Pagan/Anesti pipes are tuned to a mode from Byzantine Liturgical Chant, with its intended microtonal modality. -The beginning of Pagan/Anesti is inspired by the Kotsari dance of the Greek Pontic people from what is now modern-day Turkey. -The melody heard three times at the end of the pipe melodic material is a traditional, though not immensely popular, quick melody (the popular one is slower and in a different mode) for Χριστός Ανέστη or “Christ is Risen” which is sung in the Greek …